Hello from Albania, by which I mean Macedonia: this morning I checked out of my hotel in Peshkopi, Albania, where I stayed overnight, and took a taxi over the border and then two buses to Ohrid—boom boom, one after another, in lucky timing sequence. Ohrid sits on a large, deep lake of the same name. Somewhere I read that it was “the jewel of Macedonia,” and it’s just across the Albanian border. So here I am. My big agenda when I got here was to find a place to do laundry. It turns out the affordable places are closed for the weekend; the hotels will gladly charge daftly inflated prices, i.e. as much to wash three shirts as I spend on food in a day of travel here. I think I’ve got enough clean clothes to last me a couple more days, by which time I’ll be back in Albania. In the meantime, let me write about it a little.
“Fandom is a great beacon of our cultural idiocy,” a pro ballplayer once told me. “Wanting your team to win and not understanding why they can’t is so dumb.” This has always stuck with me, not because I quite agree with it — why would there be sports at all if no one rooted for anyone? — but because the way I feel after my team loses is generally not so much disappointed or upset as something close to dumb, and dumb in a particular way; that is, for having any kind of emotional reaction to athletes winning or losing games.
The psychology of this reaction is complex and has surely inspired many studies, journal articles, cultural studies, and so on. I don’t feel the need to analyze it much more than we already do. And I need to qualify this by saying that I covered both Duke and UNC basketball as a journalist, which means that I have: A) a certain amount of objectivity (although you would be amazed by how many sports journalists are actually just diehard fans of some team or other); B) an unusual diffusion of what rooting interests I do possess. Not many people can get behind both of these rival programs.
For a longish time, I adopted the ballplayer’s no-rooting, fandom-is-idiocy ideology, because I have Buddhist tendencies and will look for ways to practice them. But over time, I’ve come to appreciate that fandom, expressed in certain ways, bespeaks a certain kind of generosity and ardor that I don’t really want to relinquish, and probably can’t even if I were to try. I grew up around here. I remember Rich Yonakor and Gene Banks and Ranzino Smith and Alaa Abdelnaby and where I was when [insert any number of great Duke and/or UNC moments here]. Our fandom dwells in our childhoods. To abandon it is to be less than our full selves. Continue reading The Tobacconist, Vol. 6
What: Chrissie Hynde: A Musical Biography reading with live rock & roll.
When: Friday, September 15, 7:00 p.m. Free!
Where: Global Breath Studio, 119 W. Main St., 3rd Floor, Durham, NC.
Who: Adam Sobsey and “The Pretend Pretenders,” a band assembled just for the occasion.
Why: The recent publication of my biography of Chrissie Hynde, the legendary leader of the Pretenders.
A bit of background: In 2014, I was asked to contribute a biography to the American Music Series, edited by the venerable Raleigh-based music journalist David Menconi and published by University of Texas Press. I chose Chrissie Hynde, whose Hall of Fame band the Pretenders — best known for their tough- and melodically-minded pop-rock songs from the late seventies and early eighties, like “Brass in Pocket” and “Back on the Chain Gang” — are still very much alive and well, with a superb album out in 2016 and a recent US tour with Stevie Nicks. Hynde is an extraordinary and unique figure in pop music: she has an iconic voice and signature style; she’s “a self-possessed idol with no real forebears; a complete original who has trail-blazed for countless musicians [yet] has no true musical descendants,” as I put it in my book.
My musical biography focuses on Hynde as, above all, a great and greatly underrated songwriter. I hear her life through her music: from her well-publicized, Hindu-based vegetarianism to her complex feminism to her staunch commitment to motherhood. A review at Pop Matters called the book “gloriously comprehensive… I doubt there will be a need for another Hynde biography for some time as a result of the quality of this one.”
On Friday, I’ll read from the book, including excerpts about individual Pretenders songs, and the “Pretend Pretenders,” a quartet of excellent musicians from Greensboro, will play the songs. It will be great fun, perhaps illuminating, and there will be beer. Afterwards, I’ll have copies of the book available for purchase at a discount and signing.
For additional background, check out this Pretenders Spotify playlist I made for the book’s publisher or my preview of the Pretenders’ show in Durham last November. The webpage for the book itself is here.
The Pretend Pretenders and I hope to see you Friday!