I was an MFA writing fellow at the University of Texas while Denis Johnson was teaching in the program. Denis saw a production of one of my plays and liked it, and we got to know each other a little. In the summer of 2002, I happened to be driving to Idaho and Denis invited me to visit him at his home in the panhandle. Before I drove up from Moscow, a few hours south, I asked him if there was anything I could bring. Some half and half, please. It was a half-hour drive to the nearest store from the Johnsons’ house.
The property bordered on a federal wilderness area on one side and Canada on another. Denis told me to look for a gate and a sign that said “Doce Pasos North.” The reference, he explained, unnecessarily but as a sort of formal declamation, a diplomatic laying-aside of the entire matter, was to the Twelve Steps of Alcoholics Anonymous. “I used to be quite the drinker,” he said, in a way that was at once offhand but definitive, understatement so laconic that it seemed intended to draw a vast pandemonium into a plainly marked but remote container. (I think he also told me he liked the name’s homophonic resemblance to John Dos Passos.)
Parked outside the house was a large vintage Cadillac convertible. Denis had bought it while he was in Texas, the crowning accessory to a general re-costuming he had undertaken when he was teaching there (cowboy hat, boots). It was a great car, he said, he’d always wanted a car like that, although he allowed that this collectible was now up in the weather of northern Idaho and was I interested in buying it. He was willing to give me a good deal and he had a price already in mind. About a decade earlier, when Jesus’ Son came out, I was talking about the book with a colleague who said he liked it but sniffed in it something of a put-on. In Idaho, Denis told me: “I wrote it because I needed money.” Continue reading Visiting Denis Johnson in Idaho